Best lenses for red camera?

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Nicole Hermann asked a question: Best lenses for red camera?
Asked By: Nicole Hermann
Date created: Tue, Jun 29, 2021 5:46 PM
Date updated: Fri, Jun 24, 2022 11:25 PM

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Video answer: The best camera & lens for youtube videos | alice red

The best camera & lens for youtube videos | alice red

Top best answers to the question «Best lenses for red camera»

Popular Lens Picks for the RED RAVEN & SCARLET-W Digital Cinema Cameras

  • RED DIGITAL CINEMA RAVEN BRAIN with 4.5K DRAGON Sensor.
  • RED DIGITAL CINEMA SCARLET-W BRAIN with DRAGON 5K Sensor.
  • Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount.
  • HANSE INNO TECH Celere HS 25mm.
  • Fujinon XK20-120mm T3.5 Cabrio Premier Lens.

Video answer: Canon 24-70 2.8 is rf - best lens for red komodo 6k?

Canon 24-70 2.8 is rf - best lens for red komodo 6k?

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RED DIGITAL CINEMA RAVEN BRAIN with 4.5K DRAGON Sensor The diminutive RED RAVEN is well suited for handheld, drone, or gimbal configurations, and is the only RED iteration with an integrated lens mount (Canon EF). Use it to shoot 4.5K footage at up to 120 fps, or 2K full HD at up to 240 fps.

Here’s a list of the best cine prime kits available for the Red Monstro 8K: *For about four lenses in the kit, typically 24 to 85mm. **If three of the lenses (among the middle five) are T1.5 but the other two are T2.1, then the largest consistent aperture is T2.1. ^For the 50mm lens in the lineup.

Let’s look at the best anamorphic cine prime lenses for the Red Monstro 8K camera. First, here are some criteria for the lenses to qualify: True cine lenses, not rehoused still lenses or adapters. Must cover the major anamorphic formats on the Monstro 8K: 8K 6:5 – 33.74mm image circle – 5184 x 4320; 7K 6:5 – 29.52mm image circle – 4536 x 3780

If you need a RED camera for a large variety of filmmaking jobs, I’d say the Gemini is your best bet. You not only get fantastic resolution along with the low light performance, but you also save around $5,000 when laying up and going for the Gemini instead of the Helium.

The 50mm f/1.8 is actually a decent lens independent of price -- it's a straight "B" lens in both build and image quality, and "B" for IQ of a normal prime is better than most zooms can do. 5K from a center crop is also using the best part of the image from this lens, and not demanding too much resolution.

Power: Regular V-mount or Anton Bauer batteries will work with RED cameras if you get something like the Switronix Plate (V-mount, $320) or Anton Bauer version ($400) combined with the Quick Back ($200) which attaches directly to the rear of the DSMC. With the A-lock ($100) or Battery Slide ($200) you can attach the plate elsewhere as well.

Find consumables for your Canon printer. Learn more about Canon's commitment to the recycling and reuse of print systems and materials. EF and EF-S lenses offering a blend of excellent image quality, flexibility and speed. Portable, lightweight lenses designed exclusively for EOS M cameras.

There’s no cheaper way to get a nicely blurred background with sharp foreground than the dinky little Canon 50mm f/1.8 lens. An additional bonus with the Canon EF 50mm f/1.8 STM is that it can focus closer than any other non-macro Canon 50mm lens, at just 1.15 ft. (35 cm) away from the image plane.

For folks looking for an affordable, versatile Canon prime lens, your best bet is probably Canon’s EF 50mm f/1.8 STM. It’s compatible with full-frame and APS-C DSLR cameras and features a 50mm focal length with a maximum aperture of f/1.8. It’s got an effective focal length of 80 mm on APS-C cameras and 50mm on full-frame cameras.

Irix Cine Lenses are a good choice for novice to professional filmmakers and they retail for a fraction of the cost of higher-end lenses. They’re designed with full-frame cameras, covering the full sensor. Plus Irix Cine Lenses are available in most of the major mounts like EF, E, MFT and PL.

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